“It’s all too clear things come and go,” she sings toward the end of the song.
Accompanied by softly-strummed acoustic guitar and earthy sounds, Sade’s lyrics feel comforting and strong. She has accepted that this love she invested in has come to an end and that she still loves this person, but she has her own life to live. The “ I’m good luv, enjoy” of Sade songs. “Love Is Stronger Than Pride” is what it sounds like when you’ve risen above the bullshit. A sentiment that’s all too fucking real if you’ve ever experienced it before. It’s a quiet storm diss track - the “Marvins Room” before “Marvins Room.” It’s the last attempt at salvaging something, or maybe the last attempt at feeling something that she’s so familiar with but knows it has come to an end. Who else’s love is wider than the Victoria Lake or taller than the Empire State? No one but Sade’s. If anything it’s a sequel to “No Ordinary Love.” Sade couldn’t give one fuck that this man has lied to her or that he’s seeing someone else. Now I know what you’re thinking: “‘Is It A Crime’ over ‘No Ordinary Love?’ She literally says ‘I keep crying’ in the latter.” “No Ordinary Love” is obviously a tear-jerker but “Is It A Crime” is tragic. It’s a question that punctuates her declarations - a sign that this love truly meant so much to her and still does. “Didn’t I give you/All that I’ve got to give, baby?” Sade croons in the track’s pre-chorus. Even now, as their relationship has presumably come to an end, he’s taking. She gave and gave and gave, and he took and took and took.
“I gave you all the love I got/I gave you more than I could give.” This is how Sade starts off one of her saddest songs of all time. That uncertainty hangs over “Hang on to Your Love” and adds a melancholy that stays with you until the very end.
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Sade conveys a frustration in this track as she sings “In heaven’s name why do you play these games,” but wants to persevere through it all - even if her partner doesn’t seem to feel the same way. The easy, fast & fun way to learn how to sing: If I tell you If I tell you now Will you keep on Will you keep on loving me If I tell you If I tell you how I feel Will you keep bringing out the best in me You give me, you give me the sweetest taboo You give me, you're giving me the sweetest taboo Too good for me There's a quiet storm And it never felt like this before There's a. As a writer she is a product of Eighties social realism. You won’t find lyrics about yachts or champagne or limos. But Sade herself often smuggled politics into the songs. Similar to “Never as Good as the First Time,” “Hang on to Your Love” has an upbeat feel that contrasts the lyrics. In the Eighties she ruled over the quiet storm radio stations, which specialised in a genre of smooth soul music to have sex to, rather than march to.
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